The Last of Robin Hood


Action / Biography / Drama / Romance

Rotten Tomatoes Critics - Rotten 29%
Rotten Tomatoes Audience - Spilled 31%
IMDb Rating 5.7 10 1697


Uploaded By: OTTO
Downloaded 70,389 times
March 04, 2015 at 04:35 AM


Dakota Fanning as Beverly Aadland
Susan Sarandon as Florence Aadland
Kevin Kline as Errol Flynn
Max Casella as Stanley Kubrick
720p 1080p
701.35 MB
23.976 fps
1hr 34 min
P/S 2 / 5
1.24 GB
23.976 fps
1hr 34 min
P/S 9 / 6

Movie Reviews

Reviewed by Larry Silverstein 7 / 10

Better Than I Expected

After reading the poor reviews of this film I was expecting very little, but ended up surprised that it was better than I expected. I would say that this was mainly due to the superb acting of the 3 stars here, Kevin Kline, Susan Sarandon, and Dakota Fanning. I also had to take my own personal "moral police meter" and put it aside , to review the movie on it's merits and not my moral judgments, something perhaps some viewers will not want to do.

Set in the latter years of the 1950's, the tale focuses on the 2 year relationship between the world famous actor Errol Flynn and the 15 year old Beverly Aadland. Kline is excellent as Flynn, known for his lecherous and playboy ways, and who spots the chorus girl and aspiring actress Aadland on a movie set and immediately takes steps to seduce her.

However, Beverly, also superbly portrayed by Fanning, does not appear to be your typical teen looking to bask in the fame and fortune of Flynn. She actually appears to like him and his company, I guess you could say as much as a 15 year old is able to.

Then there's Florence, Beverly's mother, and Sarandon just "nails it" here with her portrayal of the super ambitious "stage mother", who even has groomed her daughter to look and act older than her years ( having a fake birth certificate handy showing she's 18 years old). Florence seems to be pushing Beverly to succeed because her own career as a dancer was cut short when she lost a leg in an auto accident, and now wears a prosthetic device.

Thus the remainder of the film will focus on the enmeshed lives of the three personalities, and how they will try and hide what's going on from the public and the media. However, there will come a time after the death of Flynn, in 1959, when most serious repercussions will have to be faced.

I read that the filmmakers Richard Glatzer and Wash Westmoreland (Still Alice) tried to focus on the story rather than the morality of it all, and, as mentioned, that's what I tried to do as well. The movie itself I thought was quite absorbing, led by the strong acting of the three leads plus the fine supporting cast, and was enhanced by actual photos, at the end, of the real characters portrayed and some of what happened to them in future years.

Reviewed by richard-1787 ([email protected]) 6 / 10

Fine acting but a problematic script

Kevin Kline and Susan Sarandon give fine performances in this movie, as they so often have done. That doesn't make this movie better, however. The script has lots of holes, unfortunately.

The clearest, best-developed character is the mother, a sad version of Mama Rose from Gypsy. She had dreamed of being a dancer, but when that was denied her by an accident, she undertook to raise her daughter to be in show business, and thus to live through her. That explains most of her actions in the movie.

Flynn's character is less well-developed. Why his fascination with this particular young girl? Why does he become involved with heroin? Kline makes him a fascinating, charismatic character, as Flynn evidently was in life even to the end, but the script never lets us really see behind the charming facade.

The daughter, Beverly, remains the most enigmatic. Does she really want a career in show business? What does she see in Flynn? She is the last person we see in the movie, but we never really see inside her.

Once Flynn dies, the other two characters aren't interesting enough to hold our attention for the last 15-20 minutes of the movie.

It's worth watching once for Kline as Flynn, but I wouldn't watch it again.


After seeing this movie I happened to catch *My Favorite Year* on TCM. It's an infinitely better movie, because it approaches Erol Flynn in his last years in a different way. Rather than attempting to be a docudrama, *My Favorite Year* is a fantasy on how Flynn might have been in his last years. The script is not shackled to history. Rather, it is free to soar. And soar it does. Peter O'Toole creates a bigger-than-life Flynn, not tied down by any effort to be faithful to reality. Nor does he try to imitate Flynn. Rather, he creates a character who faces the issue that *The Last of Robin Hood* never really confronts: the conflict Flynn must have felt between the image of him that the studio created, largely through his adventure films, and the real Erol Flynn.

The whole movie is wonderful, but the greatest moment comes at the end, during the crazy live TV show, when O'Toole's character gets caught up in his own legend and becomes the swash-buckler he had played so many times on screen. It's magic, a magic we never see, alas, in *The Last of Robin Hood.*

If you're a fan of Kevin Kline, a great actor, see *The Last of Robin Hood* once to see his fine performance as Flynn. But if you're a fan of Erol Flynn, pass on *The Last of Robin Hood* and see *My Favorite Year.* You will love it.

Reviewed by drjgardner 2 / 10


Errol Flynn was one of my favorite actors and one of the most popular actors from the mid 30s through the 50s. Even today, "Robin Hood" (1938), "Light Brigade" (1936), "Dawn Patrol"(1938), "Sea Hawk" (1940), "They Died with their Boots On" (1941), and "Roots of Heaven" (1958) – to name just a few - stand the test of time. How disappointing then such a bland film as "Last of Robin Hood" seeks to capture his final years. I kept hoping that this film would do for Flynn what "Chaplin" (1992) did for Chaplin (curiously enough Kevin Kline gives excellent performances in both: he played Douglas Fairbanks in the Chaplain biopic).

Putting aside Kline's strong performance and his ability to look like Flynn, the rest of the film is torturous, more like a docudrama than a biography. The film fails to capture the 50s in spirit, despite the extensive use of 50s cars. And the references to Hollywood insiders like Melvin Belli will be lost on almost everyone.

If you're a big Errol Flynn fan you want to give this one a miss.

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